Brighton’daki Eski Filistin Evi’nde sergilenen proje, \u0130srail’in ku\u015fatma alt\u0131ndaki topraklarda i\u015fledi\u011fi zul\u00fcmleri ya\u015fam\u0131\u015f \u00e7ocuklar\u0131n resimlerini i\u00e7eriyor.<\/p>\n
Gazze’den gelen \u00e7ocuklar\u0131n Brighton’daki Eski Filistin Evi’nde sergilenen ola\u011fan\u00fcst\u00fc, dokunakl\u0131 sanat eserleri ve yaz\u0131l\u0131 tan\u0131kl\u0131klar\u0131 aras\u0131nda, di\u011ferlerinin aras\u0131nda as\u0131l\u0131 duran bo\u015f bir tuval var.<\/p>\n
Bu tuval, Ghazi Ramadan’a ait. Sekiz ya\u015f\u0131ndaki Filistinli \u00e7ocuk, al\u0131\u015fveri\u015f yapabilece\u011fi bir al\u0131\u015fveri\u015f merkezi \u00e7izmek istemi\u015fti.<\/p>\n
T\u0131pk\u0131 d\u00fcnyan\u0131n di\u011fer yerlerinde oldu\u011fu gibi, Gazze’de de Ekim 2023’ten \u00f6nce var olan s\u0131radan ya\u015fam zevkleri… Ama Ghazi, al\u0131\u015fveri\u015f merkezini asla \u00e7izemedi. Nisan 2024’te, soyk\u0131r\u0131m s\u0131ras\u0131nda \u0130srail taraf\u0131ndan \u00f6ld\u00fcr\u00fcld\u00fc.<\/p>\n
Sanat \u00f6\u011fretmeni Cleopatra Naeem, Ghazi’nin \u00e7izmek istedi\u011fi her \u015feyi toplad\u0131 ve o\u011flunun yas\u0131n\u0131 atlatmas\u0131na yard\u0131mc\u0131 olmak i\u00e7in annesine verdi.<\/p>\n
Naeem, Gazze’deki Tamer Toplum E\u011fitimi Enstit\u00fcs\u00fc \u00fcyeleriyle canl\u0131 bir yuvarlak masa toplant\u0131s\u0131nda konu\u015fuyordu. Filistinli \u00e7ocuklarla y\u00fcr\u00fct\u00fclen bu projenin – Masar al Awda ilal Bayt (Eve D\u00f6n\u00fc\u015f Yolu) – soyk\u0131r\u0131m s\u0131ras\u0131nda hangi ko\u015fullarda geli\u015ftirildi\u011fini anlatt\u0131.<\/p>\n
Soyk\u0131r\u0131m\u0131n G\u00f6lgesinde Sanatla Terapi<\/p>\n<\/h2>\n
Middle East Eye’\u0131n kat\u0131ld\u0131\u011f\u0131 Zoom toplant\u0131s\u0131nda Naeem, “15 y\u0131ld\u0131r gen\u00e7lerle \u00e7al\u0131\u015f\u0131yorum,” diye a\u00e7\u0131kl\u0131yor.<\/p>\n
“\u0130ni\u015fler ve \u00e7\u0131k\u0131\u015flar ya\u015fad\u0131k… ama hi\u00e7bir \u015fey bu soyk\u0131r\u0131m gibi de\u011fildi.”<\/p>\n
Naeem, 2023’teki sava\u015f\u0131n ilk haftalar\u0131ndan itibaren k\u00fc\u00e7\u00fck \u00e7ocuklarla \u00e7al\u0131\u015farak onlara yerinden edilme ve \u015fiddetin \u015fokunu ve travmas\u0131n\u0131 atlatmalar\u0131 i\u00e7in bir yol sunan Gazze’deki bir grup sanat \u00f6\u011fretmeninden biri.<\/p>\n
“Ba\u015flang\u0131\u00e7ta \u00e7ocuklar konu\u015fmak istemiyorlard\u0131, dilsizdiler,” diyor. “Bunu [soyk\u0131r\u0131m\u0131] konu\u015fman\u0131n bir su\u00e7 gibi oldu\u011funu hissediyorlard\u0131.”<\/p>\n
Bu y\u00fczden Naeem, \u00e7ocuklar\u0131n gidip kendilerini g\u00fcvende hissedebilecekleri, \u00e7ocuk kul\u00fcbesi gibi bir “kara kutu” ad\u0131n\u0131 verdi\u011fi g\u00fcvenli bir alan yaratt\u0131.<\/p>\n
“\u00c7ocuklar her yerden geliyordu, birbirlerini tan\u0131m\u0131yorlard\u0131. Kendi evlerini in\u015fa ettiler\u2026 Yava\u015f yava\u015f a\u00e7\u0131lmaya ve hikayelerini anlatmaya ba\u015flad\u0131lar.”<\/p>\n
Sevgi ve \u015eefkat Ortam\u0131<\/p>\n<\/h2>\n
Naeem, bir \u00e7ocu\u011fun \u0130srail tank\u0131n\u0131n bombard\u0131man\u0131 alt\u0131nda babas\u0131yla evde nas\u0131l oldu\u011funu anlatt\u0131\u011f\u0131n\u0131 aktar\u0131yor.<\/p>\n
\u00c7ocuk, kar\u015f\u0131 caddede ba\u015fka bir \u00e7ocuk g\u00f6rd\u00fc ve ona \u201cburaya gel\u201d diye seslendi. Di\u011fer \u00e7ocuk ona kat\u0131ld\u0131, ancak daha sonra ayr\u0131ld\u0131lar.<\/p>\n
Ard\u0131ndan, Tamer Enstit\u00fcs\u00fc taraf\u0131ndan d\u00fczenlenen seanslardan birinde, \u00e7ocuk ve di\u011fer \u00e7ocuk birbirlerini tan\u0131d\u0131lar. Yeniden bir araya geldiklerinde a\u011flad\u0131lar ve birbirlerine sar\u0131ld\u0131lar.<\/p>\n
Naeem, “Bu at\u00f6lye \u00e7al\u0131\u015fmalar\u0131 bir sevgi ve \u015fefkat ortam\u0131 yaratt\u0131 ve \u00e7ocuklar eve d\u00f6nmeyi, eve d\u00f6nd\u00fcklerinde ne yapacaklar\u0131n\u0131 hayal etmeye ba\u015flad\u0131lar,” diyor.<\/p>\n
\u00c7a\u011fr\u0131daki Tamer Enstit\u00fcs\u00fc kolayla\u015ft\u0131r\u0131c\u0131lar\u0131ndan Lamees Alsharif ise \u015funlar\u0131 a\u00e7\u0131klad\u0131: “\u00c7ocuklara ger\u00e7ekten g\u00fcvende olduklar\u0131 hissini vermemiz gerekiyordu ve g\u00fclmeye ba\u015flad\u0131klar\u0131nda onlarla ger\u00e7ekten bir yere vard\u0131\u011f\u0131m\u0131 hissettim.”<\/p>\n
\u00d6\u011fretmenler i\u00e7in bunlar\u0131n hi\u00e7biri kolay de\u011fildi; kendileri de yerinden edilmi\u015f, evleri y\u0131k\u0131lm\u0131\u015f ve aileleri da\u011f\u0131lm\u0131\u015ft\u0131.<\/p>\n
“Soyk\u0131r\u0131mda bir noktada, asla eve d\u00f6nemeyece\u011fimizi, 1948 Nakba’s\u0131n\u0131 tekrarlad\u0131\u011f\u0131m\u0131z\u0131 fark ettik,” diyor.<\/p>\n
\u00c7ocuklar\u0131n anlatt\u0131\u011f\u0131 deneyimler aras\u0131nda, \u0130srail g\u00fc\u00e7leri taraf\u0131ndan kuzey ve g\u00fcney Gazze aras\u0131nda olu\u015fturulan s\u00f6zde “g\u00fcvenli ge\u00e7i\u015f”ten ge\u00e7mek de vard\u0131. Bu kabus dolu deneyimi anlatmalar\u0131 zaman ve \u00f6zen gerektirdi.<\/p>\n
Alsharif, g\u00fcvenli ge\u00e7i\u015f hakk\u0131nda, “D\u00fcz bir \u00e7izgide y\u00fcr\u00fcmeniz gerekiyor,” diyor. “Gen\u00e7 bir k\u0131z\u0131n yan\u0131nda be\u015f ya\u015f\u0131ndaki k\u0131z karde\u015fi vard\u0131. Annesi \u00f6nde, k\u00fc\u00e7\u00fck k\u0131z karde\u015f ortada ve kendisi arkadayd\u0131. Sonra be\u015f ya\u015f\u0131ndaki \u00e7ocuk bir cesede tak\u0131l\u0131p d\u00fc\u015ft\u00fc.” Ona yard\u0131m ettiler ve yollar\u0131na devam ettiler.<\/p>\n
Ba\u015fka bir gen\u00e7 k\u0131z, hi\u00e7 kimsenin -\u00f6zellikle de bir \u00e7ocu\u011fun- asla g\u00f6rmemesi gereken bir \u015fey g\u00f6rd\u00fc: bir k\u00f6pe\u011fin bir bebek cesedini yedi\u011fini. Hikayesini Alsharif’e anlatt\u0131 ve di\u011ferleri de ayn\u0131s\u0131n\u0131 yapt\u0131.<\/p>\n
K\u00fc\u00e7\u00fck K\u0131z Bir\u00e7ok Kafatas\u0131 G\u00f6rd\u00fc<\/p>\n<\/h2>\n
\u00c7ocuklar\u0131n soyk\u0131r\u0131m \u015fiddeti deneyimlerini psikolojik olarak yeniden in\u015fa etmelerine yard\u0131mc\u0131 olacak \u015fekilde payla\u015fmalar\u0131n\u0131 sa\u011flaman\u0131n hassas s\u00fcreci, yeti\u015fkin kolayla\u015ft\u0131r\u0131c\u0131lar i\u00e7in \u015fa\u015f\u0131rt\u0131c\u0131 olmayan bir \u015fekilde zorlay\u0131c\u0131yd\u0131.<\/p>\n
Bazen yeti\u015fkinleri ayakta tutan, projede payla\u015ft\u0131klar\u0131 kar\u015f\u0131l\u0131kl\u0131 \u015fefkat ve sevgiyle \u00e7ocuklar oluyordu.<\/p>\n
Ba\u015fka bir \u00e7ocuk, \u0130srail ku\u015fatmas\u0131 s\u0131ras\u0131nda El-\u015eifa Hastanesi’nde mahsur kalm\u0131\u015f ve \u0130srail g\u00fc\u00e7leri taraf\u0131ndan hastane \u00e7evresinde \u00f6ld\u00fcr\u00fcl\u00fcp g\u00f6m\u00fclen Filistinlilerin kafataslar\u0131n\u0131 g\u00f6rm\u00fc\u015ft\u00fc.<\/p>\n
“K\u00fc\u00e7\u00fck k\u0131z bir\u00e7ok kafatas\u0131 g\u00f6rd\u00fc,” diyor Alsharif. “At\u00f6lye \u00e7al\u0131\u015fmas\u0131n\u0131n ba\u015f\u0131nda ger\u00e7ekten zorlan\u0131yordu. \u00c7izmeye \u00e7al\u0131\u015ft\u0131 ama eli \u00e7ok titriyordu, bu y\u00fczden ‘hay\u0131r, onun yerine oynayal\u0131m’ dedim.”<\/p>\n
“\u00dc\u00e7\u00fcnc\u00fc seansta \u00e7izebildi – asl\u0131nda, bunu yapaca\u011f\u0131n\u0131 \u0131srarla s\u00f6yledi.”<\/p>\n
Alsharif, yeti\u015ftirme ortam\u0131n\u0131n ve sanat yaratma alan\u0131n\u0131n, konu\u015fma yetene\u011fini kaybetmi\u015f \u00e7ocuklara bir ses verdi\u011fini s\u00f6yl\u00fcyor.<\/p>\n
“Bir k\u0131z dilsizdi ve \u0130srail sald\u0131r\u0131s\u0131 s\u0131ras\u0131nda her \u015feyin alt \u00fcst oldu\u011fu belirli bir oday\u0131 \u00e7izmeye devam ediyordu.” Karde\u015fi onun alt\u0131nda \u00f6lm\u00fc\u015ft\u00fc.<\/p>\n
Alsharif, \u00e7ocuklar\u0131n “b\u00fcy\u00fck sava\u015f su\u00e7lar\u0131n\u0131” anlatmas\u0131 \u00fczerine bu at\u00f6lye \u00e7al\u0131\u015fmalar\u0131ndan sonra sinir krizi ge\u00e7irdi\u011fini s\u00f6yl\u00fcyor.<\/p>\n
Sonra t\u00fcm \u00e7ocuklar\u0131n onu bekledi\u011fini, sanat ve yazma seanslar\u0131na gelmeye devam ettiklerini fark etti ve bu y\u00fczden devam etmek zorunda kald\u0131.<\/p>\n
\u00c7ocukluktan \u00c7\u0131karma<\/p>\n<\/h2>\n
Brighton’daki “Ate\u015f \u00c7emberine Girdi\u011fimde Bir Bal\u0131k Gibi, Bir Aslan Gibi Azimliyim” (\u00e7ocuklardan birinin s\u00f6z\u00fc) ba\u015fl\u0131kl\u0131 sergi, Suriyeli-\u0130ngiliz yazar Nadia Quadmani ve Filistinli ara\u015ft\u0131rmac\u0131 Ala\u2019 Najmah taraf\u0131ndan k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yap\u0131ld\u0131.<\/p>\n
K\u00fcrat\u00f6rler, Filistinlilerin ac\u0131lar\u0131n\u0131n sosyal medya ve haberler arac\u0131l\u0131\u011f\u0131yla Bat\u0131 taraf\u0131ndan t\u00fcketilme d\u00f6ng\u00fcs\u00fcn\u00fc bilin\u00e7li olarak k\u0131rmay\u0131 ama\u00e7l\u0131yor; bu s\u00fcre\u00e7te \u00e7ocuklar\u0131n failli\u011fi ve sesleri g\u00f6lgede b\u0131rak\u0131l\u0131yor ve siliniyor.<\/p>\n
“Filistinli \u00e7ocuklar\u0131n ‘\u00e7ocukluktan \u00e7\u0131kar\u0131lmas\u0131’, onlar\u0131n \u00f6ld\u00fcr\u00fclmesini me\u015frula\u015ft\u0131r\u0131yor; bu \u00e7ocukluktan \u00e7\u0131karma, bu \u00e7ocuklar\u0131n tamamen insanl\u0131ktan \u00e7\u0131kar\u0131lmas\u0131n\u0131 hakl\u0131 \u00e7\u0131kar\u0131yor.”<\/em><\/p>\n K\u00fcrat\u00f6rler, bu “tan\u0131kl\u0131k ekonomisinde” hayatta kalabilmek i\u00e7in Gazze’deki \u00e7ocuklar\u0131n Bat\u0131l\u0131 izleyicilere \u00e7evrimi\u00e7i olarak masumiyetlerini sergilediklerini a\u00e7\u0131kl\u0131yor; \u00e7ocukluklar\u0131n\u0131 reddeden bir d\u00fcnya i\u00e7in.<\/p>\n Najmah, Filistinli akademisyen Nadera Shalhoub-Kevorkian taraf\u0131ndan ortaya at\u0131lan ve siyasi hedeflere ula\u015fmak i\u00e7in \u00e7ocuklar\u0131n \u00e7ocukluktan yetkili bir \u015fekilde \u00e7\u0131kar\u0131lmas\u0131n\u0131 ifade eden “\u00e7ocukluktan \u00e7\u0131karma” kavram\u0131na at\u0131fta bulunuyor.<\/p>\n \u015e\u00f6yle diyor: “Filistinli \u00e7ocuklar\u0131n ‘\u00e7ocukluktan \u00e7\u0131kar\u0131lmas\u0131’, onlar\u0131n \u00f6ld\u00fcr\u00fclmesini me\u015frula\u015ft\u0131r\u0131yor; bu \u00e7ocukluktan \u00e7\u0131karma, ‘bunlar insan hayvanlard\u0131r, b\u00fcy\u00fcy\u00fcp ter\u00f6rist olacaklar, onlar\u0131 \u00f6ld\u00fcrelim’ gibi ifadelerle bu \u00e7ocuklar\u0131n tamamen insanl\u0131ktan \u00e7\u0131kar\u0131lmas\u0131n\u0131 hakl\u0131 \u00e7\u0131kar\u0131yor.”<\/p>\n “Di\u011fer tarafta ise, masum ve neredeyse habersiz olarak \u00e7er\u00e7evelenen Filistinli \u00e7ocuklar taraf\u0131ndan \u00fcretilen i\u00e7eri\u011fin t\u00fcketimi var.”<\/p>\n “\u0130zleyici, onlar\u0131n masumiyetini neredeyse 19. y\u00fczy\u0131l \u00e7er\u00e7evesinde t\u00fcketiyor; burada masum \u00e7ocuk, Bat\u0131l\u0131 yeti\u015fkini t\u00fcm su\u00e7luluk duygular\u0131ndan ar\u0131nd\u0131r\u0131yor.”<\/p>\n \u00c7ocuklar\u0131n sanat eserlerine, sava\u015f, ku\u015fatma ve soyk\u0131r\u0131m ortas\u0131ndaki ya\u015famlar\u0131na dair tan\u0131kl\u0131klar e\u015flik ediyor ve seslerinin net ve arac\u0131s\u0131z olmas\u0131n\u0131 sa\u011fl\u0131yor. Temalar aras\u0131nda g\u0131da k\u0131tl\u0131\u011f\u0131, sabun gibi temel ihtiya\u00e7lara eri\u015fim eksikli\u011fi ve \u00f6l\u00fcm d\u00fc\u015f\u00fcnceleri yer al\u0131yor.<\/p>\n 10 ya\u015f\u0131ndaki Raggad Shallah \u015funlar\u0131 anlat\u0131yor: \u201cAnnem yalanc\u0131. Ona bug\u00fcn ne pi\u015firdi\u011fini sordu\u011fumda, ‘maklube’ diyor. Ben de yemeye ba\u015fl\u0131yorum ve ona soruyorum, ‘Tavuk nerede?’. O da g\u00fcl\u00fcyor ve ‘Bu sahte bir maklube’ diyor. Bana bir par\u00e7a patl\u0131can veriyor ve ‘Bu senin sevdi\u011fin tavuk g\u00f6\u011fs\u00fc’ diyor ve g\u00fclmeye devam ediyor.\u201d<\/p>\n 17 ya\u015f\u0131ndaki Farah Fathi Abu Suweilim, hijyen \u00fcr\u00fcnlerinin Gazze’ye uzun bir aradan sonra geli\u015fini hat\u0131rl\u0131yor: \u201c\u015eampuan ve sabun nihayet b\u00f6lgeye girdikten sonra kuzenim bana dedi ki: Sa\u00e7\u0131ma ilk kez sabun s\u00fcrd\u00fc\u011f\u00fcmde ne oldu\u011funu bir bilsen, aniden sa\u00e7\u0131m ‘hii, sii, hii!’ diye ses \u00e7\u0131karmaya ba\u015flad\u0131!\u201d<\/p>\n Minna ad\u0131nda bir k\u0131z, sava\u015f hakk\u0131ndaki korku duygular\u0131n\u0131 ve “a\u011f\u0131r d\u00fc\u015f\u00fcncelerini” temsil etmek i\u00e7in girdap ad\u0131n\u0131 verdi\u011fi bir resim \u00e7izdi.<\/p>\n \u015e\u00f6yle yazd\u0131: \u201cKu\u015f olmak istemiyorum, bal\u0131k da, ev de, aile de, s\u0131cak bir kucak da, sakland\u0131\u011f\u0131m ad\u0131mlar da, g\u00fclmedi\u011fim kahkahalar da, gelip ge\u00e7en bayram da olmak istemiyorum. Beni eve g\u00f6t\u00fcren yol olmak istiyorum.\u201d Minna daha sonra \u00e7ad\u0131r\u0131nda uyurken onu delen bir kur\u015funla \u00f6ld\u00fcr\u00fcld\u00fc.<\/p>\n Tamer Enstit\u00fcs\u00fc kolayla\u015ft\u0131r\u0131c\u0131s\u0131 Mohammed al-Zaqzouq \u015funlar\u0131 s\u00f6yl\u00fcyor: \u201cGirdap tablosu ve Minna’n\u0131n yan\u0131m\u0131zda ta\u015f\u0131d\u0131\u011f\u0131m\u0131z, sonsuza dek ya\u015fatmak istedi\u011fimiz \u00e7a\u011fr\u0131s\u0131ndan ba\u015fka hi\u00e7bir \u015fey kalmad\u0131.\u201d<\/p>\n Sergi, Temmuz ay\u0131nda Glasgow \u00dcniversitesi’ne gitmeyi planl\u0131yor ve Stockholm, Milano, Paris, \u0130zlanda, Eindhoven ve Lizbon’da olas\u0131 gelecekteki sunumlar\u0131 i\u00e7eren daha geni\u015f, k\u00fct\u00fcphane tabanl\u0131 bir tur \u015fekillenmeye ba\u015fl\u0131yor.<\/p>\n #Gazze\u00c7ocuklar\u0131 #FilistinSanat #Soyk\u0131r\u0131m #\u00c7ocukHaklar\u0131 #Sava\u015f\u0131n\u0130nsanY\u00fcz\u00fc #SanatlaTerapi #EveD\u00f6n\u00fc\u015fYolu #\u0130srailZulm\u00fc #GazzeyeDestek #Uluslararas\u0131Sergi<\/p>\n","protected":false},"excerpt":{"rendered":" Brighton’daki Eski Filistin Evi’nde sergilenen proje, \u0130srail’in ku\u015fatma alt\u0131ndaki topraklarda i\u015fledi\u011fi zul\u00fcmleri ya\u015fam\u0131\u015f \u00e7ocuklar\u0131n resimlerini i\u00e7eriyor. Gazze’den gelen \u00e7ocuklar\u0131n Brighton’daki Eski Filistin Evi’nde sergilenen ola\u011fan\u00fcst\u00fc, dokunakl\u0131 sanat eserleri ve yaz\u0131l\u0131 tan\u0131kl\u0131klar\u0131 aras\u0131nda, di\u011ferlerinin aras\u0131nda as\u0131l\u0131 duran bo\u015f bir tuval var. Bu tuval, Ghazi Ramadan’a ait. Sekiz ya\u015f\u0131ndaki Filistinli \u00e7ocuk, al\u0131\u015fveri\u015f yapabilece\u011fi bir al\u0131\u015fveri\u015f merkezi \u00e7izmek […]<\/p>\n","protected":false},"author":2,"featured_media":14539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-14538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orta-dogu-haberleri"],"_links":{"self":[{"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/posts\/14538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fajr.news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14538"}],"version-history":[{"count":0,"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/posts\/14538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fajr.news\/index.php?rest_route=\/wp\/v2\/media\/14539"}],"wp:attachment":[{"href":"https:\/\/fajr.news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fajr.news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fajr.news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}